Isabella Marie Swan ✴ "Stella" (
self_composed) wrote2012-12-19 06:24 pm
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a city and a mint who sleep very little between them
Bella bikes to the airport on Friday. She gets a little reading done on her flight, then sleeps-on-purpose through the remainder of the trip, waking up precisely when the plane touches down. One nice bonus that she didn't even explicitly build into the power is that she can sleep at will in virtually any position; she doesn't have to get comfy if that's not convenient.
She steps off the plane, backpack full of her things over her shoulders, and stalks into the halls of LaGuardia, eyes peeled for Libby.
She steps off the plane, backpack full of her things over her shoulders, and stalks into the halls of LaGuardia, eyes peeled for Libby.
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The hex goes. The globe lights up like an ornamented Christmas tree.
"And one for oomph."
Oomph.
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"In that case I would like to go home now, please."
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She turns to Libby. "Bring Whistle to your turf, bring you to Stanford and meet there, or design my moon palace and meet there?"
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Hex goes, next hex does not go, Bella wants to think about it more before investing a star in speeding her head up in case she might catch her brain on fire or something. She closes her eyes and thinks up a moon palace. It has ambient air-lighting like Alice's lair, and a magic door down to same. It defends against the harmful parts of sunshine since there's not an atmosphere on top of it to help. She can put in furniture later, except the meeting room is going to start with a conference table and springy chairs so she and Libby and Alice and whoever else gets brought in have a place to talk.
It's invisible to everyone not on the whitelist, and all manner of scientific instruments are doomed to ignorance of it. It has a surprising number of open balconies for a palace on the moon, but they and the environs as well as the interior are covered by air circulation magic again similar to the lair. (Bella does not need to breathe; this does not mean she doesn't like being able to hear and speak.)
She leaves the gravity alone. 'Cause that's half the point of being on the moon, right? This may, on inspection, turn out to require a revision of the conference chairs, but that's no big deal.
Plumbing works by magic, she puts in a kitchen for recreational cheffery and it also works by magic, and the entire thing is made of gray-white marble and abstract stained glass in tastefully muted-pearly colors, with similarly pearly tiles. It has a vaguely cathedralish shape to it; it looks more like a goddess's palace than a queen's. Bella decides she is okay with that.
Fixing the design in her mind and double-checking the whole thing, Bella spends the hex. It's not that much more complicated than the lair was, just bigger, and not bigger by enough to be a problem.
[Yoink,] she warns Alice, but she thinks he'll like the surprise. "Here goes," she notifies Libby, and they all three land in her conference room.
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"Am I on the moon?" he demands.
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